Tuesday: 11am – 5pm
Wednesday: 11am – 5pm
Thursday: 11am – 5pm
Friday: 11am – 5pm
Saturday: 11am – 5pm
Sunday: 11am – 5pm
Please note the House opens at 12pm, with last entry to the House at 4.20pm. To visit the House you will need to pre-book a ticket. Click here to book now.
Please note Kettle’s Yard will be closed on 1 July 2022 for a private event.
+44 (0)1223 748 100
One of the country’s most intimate and spellbinding museums, the collection of one man and his unerring eye; restorative, homely yet life-changing.
In a quiet corner of Cambridge, overlooking St Peter’s Church, is a beautiful house filled with beautiful objects, once the home of H.S (Jim) Ede and his wife Helen.
Between 1957 and 1973 Kettle’s Yard was the home of Jim and Helen Ede. In the 1920s and 30s Jim had been a curator at the Tate Gallery in London. Thanks to his friendships with artists and other like-minded people, over the years he gathered a remarkable collection, including paintings by Ben and Winifred Nicholson, Alfred Wallis, Christopher Wood, David Jones and Joan Miró, as well as sculptures by Henri Gaudier-Brzeska, Constantin Brancusi, Henry Moore and Barbara Hepworth.
At Kettle’s Yard Jim carefully positioned these artworks alongside furniture, glass, ceramics and natural objects, with the aim of creating a harmonic whole. His vision was of a place that should not be
“an art gallery or museum, nor … simply a collection of works of art reflecting my taste or the taste of a given period. It is, rather, a continuing way of life from these last fifty years, in which stray objects, stones, glass, pictures, sculpture, in light and in space, have been used to make manifest the underlying stability.”
Kettle’s Yard was originally conceived with students in mind. Jim kept ‘open house’ every afternoon of term, personally guiding visitors around his home. In 1966 he gave the House and its contents to the University of Cambridge. In 1970, three years before the Edes retired to Edinburgh, the House was extended, and an exhibition gallery added. The House is by and large as Jim left it. There are artworks in every corner, and there are no labels.