There is something about spaces that lead you to think about music in a different way, I think, and certainly the light in Kettle’s Yard does allow me to find more light in my playing and probably, maybe more subconsciously than in a conscious way, I suppose the art in the gallery, you know… sometimes I will be playing a Mozart passage and I’ll look up and you’ll see one of these sculptures or one of these paintings or just some seashells or something and… yeah, it does release something in me and there is an association but I can’t say specifically what it is. But I think actually as a musician I’m quite a visual person so I do, when I’m playing works, I associate them with images in my mind and it’s not always real images but I suppose I must… I think I take in more in terms of visual art than I am aware I do.