Opening Hours

Coronavirus Temporary Closure: Please note that Kettle’s Yard House and Gallery will be closed from 17 March 2020. You can keep up to date with the latest information here.

Café, galleries and shop: Tuesday – Sunday 11am – 5pm

House: Tuesday – Sunday 12  – 5pm

Free, timed entry tickets to the House are available at the information desk on arrival or online here.

Last entry to the House is at 4.30pm

Access Information & Contact Us

Find access information here. 

+44 (0)1223 748 100


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Find out What’s On at Kettle’s Yard here.

13 March 2020 – 14 March 2020, Day 1: 10am – 6.30pm, Day 2: 10am – 1.30pm

Join Kettle’s Yard and the Paul Mellon Centre for Studies in British Art for a two day symposium covering Linder’s five-decade long career.

Check back here for further details nearer the time.

Please note that the event will take place over two days and two locations:

13 March – Murray Edwards College, Cambridge, 10am – 6.30pm
14 March  – Kettle’s Yard Cambridge, 10am – 1.30pm

FREE, booking required. Booking now open

More information can be found here

About Linderism

Most well known for her photomontage, Linderism explores the diverse range of Linder’s practice. It explores Linder as performance artist, zine-maker, musician, documentary-photographer, collaborator, muse, guru, medium and body-builder.

Through the use of the Kettle’s Yard Archive, Linder also approaches Helen Ede’s elusive presence in Kettle’s Yard. Linder reinstates Helen through the creation of ‘House of Helen’, a brand of products available in the shop. A series of new commissions engage all five senses and see Linder staging interventions in all areas of Kettle’s Yard.

Linder was born in Liverpool in 1954 and was an active figure in the punk and post-punk music scenes. Probably best known for the album covers which she created, her photomontages often combine everyday images taken from fashion or home magazines with images from pornography.

About the Paul Mellon Centre for Studies in British Art

The Paul Mellon Centre for Studies in British Art is an educational charity committed to promoting original, world-class research into the history of British art and architecture of all periods. We collaborate closely with the Yale Center for British Art, and are part of Yale University.

The Centre, based in Bedford Square, London, is a thriving hub of research. It offers a supportive, professional environment for scholarly work, providing rich library and archival resources to curators, art-trade professionals, independent art historians, academics, researchers and students. It hosts a busy programme of scholarly events, including research seminars and lunches, workshops, symposia and conferences.

About New Hall Art Collection

The New Hall Art Collection is a collection of modern and contemporary art by women on display at Murray Edwards College, University of Cambridge.

The Collection, which was founded in 1986 with the acquisition of Mary Kelly’s six-part work Extase, has evolved through gifts and loans from artists and alumnae and today includes over five hundred works by artists of international quality and renown – including Dame Paula Rego, Maggi Hambling CBE, Cornelia Parker RA, Sandra Blow RA, Lubaina Himid and Judy Chicago – and is considered to be one of the largest and most significant collections of contemporary art by women in the world.

On 7 March 2018, the New Hall Art Collection received accreditation from the Arts Council England.  Accreditation recognises the quality of the Collection and the professionalism with which it is managed, putting it on a level with major galleries throughout the UK.

Content Warning

The exploration of gender and sexuality is fundamental to Linder’s work. She uses imagery from different print materials, including pornography.

This exhibition contains some explicit images, which some visitors may find challenging and may not be suitable for younger visitors.

Please ask a member of our visitor services team for more information.